Screening On November 9th @UTSA – (The Downtown Campus)

 

 

The MAS/Community Colloquium Screen’s As Long as I Remember with filmmaker Laura Varela on Wednesday, November 9th, at UTSA, Downtown Campus, Buena Vista Building Auala Canaria Lecture Hall. Reception begins at 5:30 pm and film with questions and answers to follow.

 

National Recognition of Local Documentary Filmmaker

The University of Texas, San Antonio-October 20, 2011- – Throughout National Hispanic Heritage Month, As Long As I Remember, Laura Varela’s documentary on Chicanos during the Viet Nam War aired on PBS stations throughout the country.  This film engages ideas about post-traumatic stress syndrome in the context of activism and the role of art in memory.

The Mexican American Studies (MAS) program, in conjunction with the Consortium for Social Transformation,  History Department, and American Studies program at UTSA, will celebrate the national debut and recognition of San Antonio’s documentary filmmaker’s work. While documentary films are developing a market, the recognition of her work and the development of documentaries from a Chicana/o perspective are still needed.

It was Varela’s activism and work with the National Association of Latino Independent Producers (NALIP) and support form the Humanities Texas Funding, and Latino Public Broadcasting that moved American Public Media to air this vital documentary.

Varela stated that her idea was always to have it on PBS, to get national audiences to understand the Mexican American experience. Prior to its national airing, the film has been presented at veteran’s centers, with veterans’ groups, and the response has been great. Ms. Varela has received many personal letters, like from a veteran who said that the film “filled a hole that couldn’t be healed.” Additionally, letters from children of Viet Nam vets, who felt alone in their experience, expressed having a fuller historical understanding of the era.

With this documentary, it is Varela’s hope to use the film as an educational venue for universities and high schools where discussions about Chicanos in the military, art, or PTSD would examine the different perspectives that the film offers.

Contact Information:

Dr. Marie Miranda, Director Mexican American Studies

210-458-2675

Marie.Miranda@UTSA.EDU

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“As Long As I Remember: American Veteranos” Review by Current

http://m.sacurrent.com/screens/film/war-stories-de-la-raza-1.1202686

The review this above link  connects to was originally published 9/14/2011

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INTERVIEW w/ NewsTaco

http://www.newstaco.com/2011/10/04/latina-documentary-filmmaker-works-for-social-justice/

The above link is a recently e- published interview that touches on Laura Valera’s childhood and her film “As Long As I Remember: American Veteranos”.

laura-varela.jpg (346×480)

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Enlight-Tents!

Enlight-Tents
Concept by Vaago Weiland and Laura Varela

Enlight-Tents documentation film created for the installation by Vaago Weiland and Laura Varela for Luminaria Arts Night in San Antonio, TX March 14, 2009.

Installation for Public Space at the Alamo

Generations of mankind lived and travelled in tents. All of their possessions were placed in their tents. Everything took place in nature or these tents: life, love, birth and death. The most important values of life are inside of us–inside of our being. We don’t need thick walls to shelter these values and beliefs. We don’t need spaces built like fortifications such as missions, cathedrals, and other buildings of worship. We don’t need defensive fortification to feel secure or connected with other life giving energy. The understanding of the basic law must be inside of us–our heart, soul and mind. The beauty of mother earth reminds us of this constantly.

It is easy to change your position when you are living in a tent. It is easy to change your point of view when you are not living behind thick walls. You are just covered and sheltered by a thin membrane and are coexisting with nature when you live in this manner. This membrane is easy to destroy; everyone has to handle it carefully. You need a lot of sensibility, respect, and knowledge to handle it. 

Vaago Weiland is from Europe and studied architecture as well as sculpture and spent time in San Antonio in 2007. He recognized that the San Antonio Missions were built like castles and defensive fortifications. Laura Varela is a Chicana from Texas whose roots in the Americas are grounded as far south as Durango Mexico and north to the Great Plains. Throughout their discussion about the arrival of Europeans and the effect on indigenous cultures and people one conclusion was clear: the belief and knowledge of the basic law of the universe and nature was sheltered behind thick walls for the Europeans.

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Laura Varela will be teaching: Personal Stories as Universal Themes @ Gemini INK SEPT 10!

More Info:

Through the Program University Without Walls local artist like  Laura Varela  are able  pass on their knowledge to local community members.  You can register today to make sure you secure your spot. *Space is limited to the first 15 who sign up * Registration ends September 7th!

Below is the direct link to University Without Wall’s section of the larger part of the Gemini Ink website:

http://geminiink.org/about/programs/uww

The Filmmaker Laura Varela

Photo by Red Baklava

More about her:

Laura Varela is a San Antonio-based documentary filmmaker and media artists whose work as a storyteller is shaped by her roots growing up on the US/ Mexico Border in El Paso, Texas.  Her work navigates between ideological, cultural, linguistic and physical borders through the use of film and contemporary art installations

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Upcoming San Antonio Klrn Screenings: AS LONG AS I REMEMBER

schedule for KLRN

Above is the KLRN for the Upcoming AS LONG AS I REMEMBER Screenings

*To learn more about AS LONG AS I REMEMBER click below

http://www.varelafilm.org/?page_id=73


**To visit the KLRN website for to view the original of the above schedule click below

http://www.klrn.org/Programming/ViewProgram.aspx?ProgramID=196207

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@UNT

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Veteranos to Screen At CineFestival 2011 Feb 6th

As Long as I Remember: American Veteranos will screen

Sunday February 6, 2011 at 2:00pm at CINFESTIVAL at the

Guadalupe Cultural Arts Center in San Antonio, TX.

I’m pleased to announce the screening of the documentary at the nation’s oldest Chicano/Latino Film Festivals.  Fernando S. Cano II, my producer, and I have had a long history with Cinefestival and are pleased that the film will be closing out the festival.  I am also happy to announce that  preceding our film will be “Katrina’s Son” by Director Ya’ke Smith, and Producer Ralph Lopez. Also in the Festival are two other films that  Fernando worked on: Eva Longoria’s Latinos Living the American Dream and Pablo Veliz’s new feature which will open the film festival.

This festival is very meaningful to me because I’ve been living in San Antonio since 1994 and my very first film Tecíhtzin was screened here right out of film school.  I also have several other films screened as a producer including Liteweight, directed by Marcos G Lopez,  Texas Majority Minority,  Co-produced by Heather Courtney, Anne Lewis and I.  A Slight Discomfort, directed by Lisa Cortez Walden, which I also produced,  won the Premio Mesquite for Best Experimental in 2000.

Since film school, I’ve had a great career working on many feature films, commercials, and documentaries-  even taught youth media.  The documentaries have always been what I’ve been good at and that is where my focus has mainly been since I’ve had my children starting in 1999.

I’ve been making films for almost 17 years since my film school days at UT Austin.  Last fall  Herminia Tecíhtzin Enrique’s daughter Viviana Enrique and her partner Nancy Rodriguez invited me to share the footage with their Ballet Folklorico en Aztlán’s tribute to Herminia Enrique.   It was amazing to see the footage I shot so many years ago touch the audience as Herminia’s voice hauntingly talked and sang- at one time with her daughter Veronica a la Nat and Natalie Cole.  This footage that I captured in 1993  helped paint the picture and capture the soul of this great woman.

Throughout the years I have worked, advised and been on the jury for several CineFestival’s.  What a long wonderful trip it’s been as a self proclaimed “Chicana Filmmaker.”  These days I don’t use labels so easily but I’m glad to say I still humbly try to serve my community through my art and films. I still strive to contribute to the betterment of our community; to capture the stories that are important to us and help heal any wounds that need healing.  Yes it’s going to be 18 years since I worked on my first film and I am happy to say that I am still producing and still working  for our gente and communidad.

For schedule and ticket information click here.

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Three San Antonio directors who went big in 2010

Reprinted from the San Antonio Current

12/29/2010

by Callie Enlow

Laura Varela

As Long As I Remember: American Veteranos

How big of a deal was Laura Varela’s documentary As Long As I Remember: American Veteranos? Big enough that at the time of writing this review, Varela was ’cross the ocean blue, screening the Vietnam-centered doc in Germany. Stateside, PBS broadcast As Long as I Remember this year from coast to coast and most of the flyover country in between. Though she’s El Paso-born, the San Antonio-based Varela focused on three local artists/Vietnam vets — Eduardo Garza, Juan Farías, and Michael Rodríguez — exploring how their creative pursuits helped them work through their experiences “in the shit.” Through her three subjects, Varela connected to a whole generation of Chicano veterans, as evidenced by the several screenings held across the country. In a Current interview with Sarah Fisch earlier this year, Varela recounted meeting a San Diego veterano who, in reaction to the artists’ post-war plights detailed in the documentary, told her “that could have been anybody.” As one of the artists eloquently stated in the documentary, “It’s a brotherhood, in a way. A brotherhood of pain, a brotherhood of war, a brotherhood of knowledge.”

See full article here:

http://www.sacurrent.com/columns/story.asp?id=71864

Laura Varela
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John Ross dies at 72

You can see the original article by Tim Redmond here:

http://www.sfbg.com/politics/2011/01/18/john-ross-dies-72

When John Ross left Terminal Island, the federal prison in Los Angeles, after serving a couple of years for refusing the Vietnam draft, the warden shook his head and said: “Ross, you never learned how to be a prisoner.”

I’m not writing the epitaph for whatever gravestone he has or doesn’t have, wherever it might be in the world, but that’s what I’d put on it: “John Ross, 1938-2011. Never learned how to be a prisoner.”

John, who died over the weekend, was a poet, author, activist, agitator and uncontrollable shit disturber, utterly and sometimes insanely fearless, pure of heart and devoted to the cause of social justice so deeply that he could never let up, even for a minute. He was also my friend.

John was a tenant organizer in San Francisco in the 1960s. He ran for supervisor once on a platform of rent control and ending the war; he was kicked off the ballot on the basis that he was a convicted felon. He never got his filing fee back.

After a while, he headed north for Arcata, back to the land, so to speak, and became something of a farmer. He wrote poetry, self-published maybe half a dozen books, most of which I have, some of which are probably lost forever. He wrote freelance for the Guardian, but he had no phone; you’d call him at a bar in Arcata (he swore later that Thomas Pynchon was one of his barmates), leave a message and he’d check in when he got it.

Then in 1984, he showed up at our office in San Francisco, fleeing the Campaign Against Marijuana Planting, which had raided his plot, trashed his house, thrown his typewriter out the window and missed capturing him by a few minutes. He sold the last of the crop in the city, found a room and started writing for us regularly.

He was one of the single most talented writers I’ve ever met — and a reporter willing to go anywhere for a story. He was also an absolute pain in the ass to work with. Every John Ross story I ever edited was a nightmare. He hated editors, almost as a matter of religion; every single word was sacred, and anytime I tried to mess with what he’d created he’d threaten to quit. “Take my name off the masthead; I’m never working for you again” was almost a mantra with us. It got to the point where I had to say: No, John. You can’t quit. You’re part of this operation forever, like it or not. And he always came around.

But it’s not a surprise that he never held down a real job for long.

Sandy Close at Pacific News Service sent him to Mexico City after the big earthquake in 1985, and he wound up at the Hotel Isabel, where he lived for the next 25 years. He took on stories nobody else would do or could do; he’d go places nobody else would dare. “Tim,” he’d always tell me, “you have to go where the story is.”

When the Zapatistas began their rebellion, he hitched a ride south from Mexico City, then hiked into the hills in Chiapas with a bag of granola and a couple of bottles of water, found the rebels in a little hamlet, met Subcommander Marcos and got interviews and information that left the rest of the media in the dust. In the first story he sent me, he described seeing a couple of reporters from the San Francisco Chronicle zipping by in a fancy rented jeep, with about $1,000 worth of camera gear, totally befuddled. They were out of their league; John was right at home.

He called me once, late at night, to ask if I knew any doctors in town. Turns out he’d been beaten pretty badly by the Mexican authorities just before getting on a plane to SF. I asked him how it happened, and he told me that he’d decided, on his own, to stand in the Mexico City airport and make a speech denouncing the government. The cops didn’t respond kindly.

He went to Iraq before the war to serve as a human shield in Baghdad (his emails were all signed “John Ross, humanshield”), left after having some clashes (imagine that) with his Iraqi government minders, travelled all over the world writing and selling his books, sent me pieces from everywhere, lost his eye to an old injury from fighting with the SFPD (his email signature became “Juan Eye”), won and refused an award from the City of San Francisco, wrote a major investigative piece on the death of journalist Brad Will and kept writing until the very end. When he was diagnosed with terminal liver cancer, he started signing his emails “John Ross, not dead yet.”

The last message I got was on Nov. 4. After complaining some more about the cops, he wrote:

“it appears ive written my last articles for the bay guardian — the doctors have given me six months on the outside and then its goodbye this cruel world — we raised some hell when i was here.” It’s signed: “insolidarity johnross enroute.”

Yes, John: We raised some some hell when you were here. Good luck enroute. And I will miss you forever.

John Ross leaves a son, Dante A. Ross, a daughter, Carla Ross-Allen, and a granddaughter, Zoe Ross-Allen, as well as a stepdaughter, Dylan Melbourne and her daugther Honore, as well as a sister, Susan Gardner. Memorial info is pending; I’ll keep you posted.

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As Long as I Remember :American Veteranos DVD BUY IT TODAY

Click here! Click here!

ARCHIVES

RECENT

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“As Long As I Remember: American Veteranos” Review by Current

http://m.sacurrent.com/screens/film/war-stories-de-la-raza-1.1202686 The review this above link  connects to was originally published 9/14/2011

thumbnail

INTERVIEW w/ NewsTaco

http://www.newstaco.com/2011/10/04/latina-documentary-filmmaker-works-for-social-justice/ The above link is a recently e- published interview that touches on Laura Valera’s childhood and her film “As Long As I Remember: American Veteranos”.

thumbnail

Three San Antonio directors who went big in 2010

Reprinted from the San Antonio Current 12/29/2010 by Callie Enlow Laura Varela As Long As I Remember: American Veteranos How big of a deal was Laura Varela’s documentary As Long As I Remember: American Veteranos? Big enough that at the time of writing this review, Varela was ’cross the ocean blue, screening the Vietnam-centered doc [...]

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John Ross dies at 72

You can see the original article by Tim Redmond here: http://www.sfbg.com/politics/2011/01/18/john-ross-dies-72 When John Ross left Terminal Island, the federal prison in Los Angeles, after serving a couple of years for refusing the Vietnam draft, the warden shook his head and said: “Ross, you never learned how to be a prisoner.” I’m not writing the epitaph [...]

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SA Express News Article On 9/16 Broadcast

Film focuses on Vietnam veteranos By Deborah Martin – Express-News Billy Calzada photographer and Videographer. The men were taking part in a group therapy session for post-traumatic stress disorder when the power went out. “OK – incoming,” one of the men murmured. A film crew working on a documentary about Chicano veterans of the Vietnam [...]